Cyberpunk in a Transnational Context
Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village....
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| Formaat: | Online |
| Taal: | Engels |
| Gepubliceerd in: |
MDPI - Multidisciplinary Digital Publishing Institute
2021
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| Online toegang: | 42483 |
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| _version_ | 1869519804032876544 |
|---|---|
| author | Tatsumi, Takayuki |
| author_browse | Tatsumi, Takayuki |
| author_facet | Tatsumi, Takayuki |
| author_sort | Tatsumi, Takayuki |
| collection | Directory of Open Access Books |
| description | Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film |
| format | Online |
| id | doab-20.500.12854ir-44475 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | MDPI - Multidisciplinary Digital Publishing Institute |
| publisherStr | MDPI - Multidisciplinary Digital Publishing Institute |
| record_format | ojs |
| spelling | doab-20.500.12854ir-444752023-12-20T18:40:47Z Cyberpunk in a Transnational Context Tatsumi, Takayuki PN1993-1999 NX1-820 n/a virtual reality Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? “rich sight” Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film 2021-02-11T10:55:28Z 2021-02-11T10:55:28Z 2019-12-09 11:49:15 2019 book 42483 9783039214228 9783039214211 https://directory.doabooks.org/handle/20.500.12854/44475 eng application/octet-stream Attribution-NonCommercial-NoDerivatives 4.0 International https://mdpi.com/books/pdfview/book/1497 MDPI - Multidisciplinary Digital Publishing Institute 10.3390/books978-3-03921-422-8 10.3390/books978-3-03921-422-8 46cabcaa-dd94-4bfe-87b4-55023c1b36d0 9783039214228 9783039214211 122 open access |
| spellingShingle | PN1993-1999 NX1-820 n/a virtual reality Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? “rich sight” Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema Tatsumi, Takayuki Cyberpunk in a Transnational Context |
| title | Cyberpunk in a Transnational Context |
| title_full | Cyberpunk in a Transnational Context |
| title_fullStr | Cyberpunk in a Transnational Context |
| title_full_unstemmed | Cyberpunk in a Transnational Context |
| title_short | Cyberpunk in a Transnational Context |
| title_sort | cyberpunk in a transnational context |
| topic | PN1993-1999 NX1-820 n/a virtual reality Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? “rich sight” Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema |
| topic_facet | PN1993-1999 NX1-820 n/a virtual reality Tobi Hirotaka collage cyberpunk co-productions virtual worlds European cinema reception history Metropia transnational cinema layers manga cinematism Lo Tek audience 2000s techno-Orientalism outlaw technologist YLEM artists using science and technology animation Masaki Gor? “rich sight” Germany extraterritorial proscenium views care Japanese science fiction United States post-utopia comics flattened screens William Gibson science fiction animatism post-apocalyptic narrative genre SCAN HyperCard bOING bOING nostalgia global capitalism virtual idol MONDO 2000 Timothy Leary Walter Benjamin visuality fractal space Marshall McLuhan Renaissance Hyperart Thomasson Pattern Recognition dystopia Kowloon Walled City participatory aesthetics Guerrilla Games translation intertextuality nuclear politics end of history Horizon: Zero Dawn detritus Blade Runner bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema |
| url | 42483 |
| work_keys_str_mv | AT tatsumitakayuki cyberpunkinatransnationalcontext |