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Cyberpunk in a Transnational Context

Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village....

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Salvato in:
Autore principale: Tatsumi, Takayuki
Natura: Online
Lingua:inglese
Pubblicazione: MDPI - Multidisciplinary Digital Publishing Institute 2021
Soggetti:
PN1993-1999
NX1-820
n/a
virtual reality
Tobi Hirotaka
collage
cyberpunk
co-productions
virtual worlds
European cinema
reception history
Metropia
transnational cinema
layers
manga
cinematism
Lo Tek
audience
2000s
techno-Orientalism
outlaw technologist
YLEM artists using science and technology
animation
Masaki Gor?
“rich sight”
Germany
extraterritorial
proscenium views
care
Japanese science fiction
United States
post-utopia
comics
flattened screens
William Gibson
science fiction
animatism
post-apocalyptic narrative
genre
SCAN
HyperCard
bOING bOING
nostalgia
global capitalism
virtual idol
MONDO 2000
Timothy Leary
Walter Benjamin
visuality
fractal space
Marshall McLuhan
Renaissance
Hyperart Thomasson
Pattern Recognition
dystopia
Kowloon Walled City
participatory aesthetics
Guerrilla Games
translation
intertextuality
nuclear politics
end of history
Horizon: Zero Dawn
detritus
Blade Runner
bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema
Accesso online:42483
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