The Affinities and Medieval Transposition
The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the i...
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| Formato: | Online |
| Idioma: | inglês |
| Publicado em: |
Indiana University Press
2022
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| Assuntos: | |
| Acesso em linha: | ONIX_20220715_9780253055736_137 |
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| _version_ | 1869516551986610176 |
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| author | Pesche, Dolores |
| author_browse | Pesche, Dolores |
| author_facet | Pesche, Dolores |
| author_sort | Pesche, Dolores |
| collection | Directory of Open Access Books |
| description | The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the ideas of Hucbald through Guido of Arezzo, Jacques de Liège, Marchetto of Padua, Tinctoris, and Aaron to those of Glareanus. Pesce provides a comprehensive survey of problematic chants and of medieval solutions for them. She also traces the arguments that led to the rejection of the affinities and the acceptance of transposition in the modern sense. Scholars will find this volume invaluable for addressing issues related to modal classification and notational practices, in both chant and polyphony. |
| format | Online |
| id | doab-20.500.12854ir-88388 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Indiana University Press |
| publisherStr | Indiana University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-883882024-03-24T11:39:15Z The Affinities and Medieval Transposition Pesche, Dolores History of music thema EDItEUR::A The Arts::AV Music The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the ideas of Hucbald through Guido of Arezzo, Jacques de Liège, Marchetto of Padua, Tinctoris, and Aaron to those of Glareanus. Pesce provides a comprehensive survey of problematic chants and of medieval solutions for them. She also traces the arguments that led to the rejection of the affinities and the acceptance of transposition in the modern sense. Scholars will find this volume invaluable for addressing issues related to modal classification and notational practices, in both chant and polyphony. 2022-07-15T14:57:36Z 2022-07-15T14:57:36Z 1987 book ONIX_20220715_9780253055736_137 9780253055736 https://directory.doabooks.org/handle/20.500.12854/88388 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/84720 Indiana University Press c10cc7de-85d3-42a6-b7d9-e6d544abd0d9 9780253055736 open access |
| spellingShingle | History of music thema EDItEUR::A The Arts::AV Music Pesche, Dolores The Affinities and Medieval Transposition |
| title | The Affinities and Medieval Transposition |
| title_full | The Affinities and Medieval Transposition |
| title_fullStr | The Affinities and Medieval Transposition |
| title_full_unstemmed | The Affinities and Medieval Transposition |
| title_short | The Affinities and Medieval Transposition |
| title_sort | affinities and medieval transposition |
| topic | History of music thema EDItEUR::A The Arts::AV Music |
| topic_facet | History of music thema EDItEUR::A The Arts::AV Music |
| url | ONIX_20220715_9780253055736_137 |
| work_keys_str_mv | AT peschedolores theaffinitiesandmedievaltransposition AT peschedolores affinitiesandmedievaltransposition |