The Affinities and Medieval Transposition

The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the i...

ver descrição completa

Na minha lista:
Detalhes bibliográficos
Autor principal: Pesche, Dolores
Formato: Online
Idioma:inglês
Publicado em: Indiana University Press 2022
Assuntos:
Acesso em linha:ONIX_20220715_9780253055736_137
Tags: Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
_version_ 1869516551986610176
author Pesche, Dolores
author_browse Pesche, Dolores
author_facet Pesche, Dolores
author_sort Pesche, Dolores
collection Directory of Open Access Books
description The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the ideas of Hucbald through Guido of Arezzo, Jacques de Liège, Marchetto of Padua, Tinctoris, and Aaron to those of Glareanus. Pesce provides a comprehensive survey of problematic chants and of medieval solutions for them. She also traces the arguments that led to the rejection of the affinities and the acceptance of transposition in the modern sense. Scholars will find this volume invaluable for addressing issues related to modal classification and notational practices, in both chant and polyphony.
format Online
id doab-20.500.12854ir-88388
institution Directory of Open Access Books
language eng
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher Indiana University Press
publisherStr Indiana University Press
record_format ojs
spelling doab-20.500.12854ir-883882024-03-24T11:39:15Z The Affinities and Medieval Transposition Pesche, Dolores History of music thema EDItEUR::A The Arts::AV Music The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the ideas of Hucbald through Guido of Arezzo, Jacques de Liège, Marchetto of Padua, Tinctoris, and Aaron to those of Glareanus. Pesce provides a comprehensive survey of problematic chants and of medieval solutions for them. She also traces the arguments that led to the rejection of the affinities and the acceptance of transposition in the modern sense. Scholars will find this volume invaluable for addressing issues related to modal classification and notational practices, in both chant and polyphony. 2022-07-15T14:57:36Z 2022-07-15T14:57:36Z 1987 book ONIX_20220715_9780253055736_137 9780253055736 https://directory.doabooks.org/handle/20.500.12854/88388 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/84720 Indiana University Press c10cc7de-85d3-42a6-b7d9-e6d544abd0d9 9780253055736 open access
spellingShingle History of music
thema EDItEUR::A The Arts::AV Music
Pesche, Dolores
The Affinities and Medieval Transposition
title The Affinities and Medieval Transposition
title_full The Affinities and Medieval Transposition
title_fullStr The Affinities and Medieval Transposition
title_full_unstemmed The Affinities and Medieval Transposition
title_short The Affinities and Medieval Transposition
title_sort affinities and medieval transposition
topic History of music
thema EDItEUR::A The Arts::AV Music
topic_facet History of music
thema EDItEUR::A The Arts::AV Music
url ONIX_20220715_9780253055736_137
work_keys_str_mv AT peschedolores theaffinitiesandmedievaltransposition
AT peschedolores affinitiesandmedievaltransposition