Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze
In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, t...
Сохранить в:
| Главный автор: | |
|---|---|
| Формат: | Online |
| Язык: | английский |
| Опубликовано: |
Firenze University Press
2022
|
| Предметы: | |
| Online-ссылка: | ONIX_20221222_9788855186568_91 |
| Метки: |
Нет меток, Требуется 1-ая метка записи!
|
| _version_ | 1869518910423826432 |
|---|---|
| author | Méndez Baiges, Maite |
| author_browse | Méndez Baiges, Maite |
| author_facet | Méndez Baiges, Maite |
| author_sort | Méndez Baiges, Maite |
| collection | Directory of Open Access Books |
| description | In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, targeted by the personages in the painting, who bears so much responsibility in articulating the interpretation of the scene. Doubts were raised about the universal character of the gaze, the universal character of the receptor of the work of art and of Modern Art. From the end of the 20th century and activated by the most recent methodological approaches such as feminism and post-colonialism, new critical voices provoked the breaching of the dominating gaze. This chapter broaches the interpretations of this paradigmatic work of Modern Art made by feminist and post-colonial and subaltern theories, questioning the very proposals of Modernism. Feminism shows how gender conditioning affects the reception of a work of art. And allied with this, post-colonialism and subaltern theory begin to seriously question the way historiography has considered, or not, the relevance of Art négre in the avant-guard eclosion. |
| format | Online |
| id | doab-20.500.12854ir-95598 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Firenze University Press |
| publisherStr | Firenze University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-955982024-05-11T21:43:06Z Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze Méndez Baiges, Maite Modernism Demoiselles d'Avignon Postcolonialism Feminism Global History of Art thema EDItEUR::A The Arts In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, targeted by the personages in the painting, who bears so much responsibility in articulating the interpretation of the scene. Doubts were raised about the universal character of the gaze, the universal character of the receptor of the work of art and of Modern Art. From the end of the 20th century and activated by the most recent methodological approaches such as feminism and post-colonialism, new critical voices provoked the breaching of the dominating gaze. This chapter broaches the interpretations of this paradigmatic work of Modern Art made by feminist and post-colonial and subaltern theories, questioning the very proposals of Modernism. Feminism shows how gender conditioning affects the reception of a work of art. And allied with this, post-colonialism and subaltern theory begin to seriously question the way historiography has considered, or not, the relevance of Art négre in the avant-guard eclosion. 2022-12-23T04:05:23Z 2022-12-23T04:05:23Z 2022-12-22T16:07:52Z 2022 chapter ONIX_20221222_9788855186568_91 2704-5919 https://library.oapen.org/handle/20.500.12657/60429 9788855186568 https://directory.doabooks.org/handle/20.500.12854/95598 eng Studi e saggi open access image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/60429/1/10_36253_978-88-5518-656-8_07.pdf https://library.oapen.org/bitstream/20.500.12657/60429/1/10_36253_978-88-5518-656-8_07.pdf Firenze University Press 10.36253/978-88-5518-656-8.07 10.36253/978-88-5518-656-8.07 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788855186568 35 Florence open access |
| spellingShingle | Modernism Demoiselles d'Avignon Postcolonialism Feminism Global History of Art thema EDItEUR::A The Arts Méndez Baiges, Maite Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze |
| title | Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze |
| title_full | Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze |
| title_fullStr | Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze |
| title_full_unstemmed | Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze |
| title_short | Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze |
| title_sort | chapter we are all demoiselles d avignon or the breaching of the dominant gaze |
| topic | Modernism Demoiselles d'Avignon Postcolonialism Feminism Global History of Art thema EDItEUR::A The Arts |
| topic_facet | Modernism Demoiselles d'Avignon Postcolonialism Feminism Global History of Art thema EDItEUR::A The Arts |
| url | ONIX_20221222_9788855186568_91 |
| work_keys_str_mv | AT mendezbaigesmaite chapterwearealldemoisellesdavignonorthebreachingofthedominantgaze |