Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze
In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, t...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| বিন্যাস: | Online |
| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Firenze University Press
2022
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | ONIX_20221222_9788855186568_91 |
| ট্যাগগুলো: |
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অনুরূপ উপাদানগুলি: Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze
- Chapter After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
- Chapter Bodies of Tow and Paraffin
- Chapter After Steinberg: Contextualist Interpretations
- Chapter Epilogue
- Les Demoiselles d’Avignon and Modernism
- Chapter Introduction. An Archaeology of Modernism